On the surface it’s the inspiring tale of a plucky Irish sailor’s business success in a remote corner of Micronesia, where centuries of increasingly aggressive encroachment from Europe, Asia, and the Americas are “solved” by the arrival of the new white guy. Except not exactly, and this show helps illuminate WHY. Besides deflating the myth of the White Savior, this story addresses the fundamental absurdity of newcomers “discovering” and claiming lands already occupied for sometimes thousands of years. This little adventure of Sea Captain O’Keefe on the tiny Micronesian island of Yap is real history, with dancing.










Gingerlily Lowe is an actor, director, writer, songwriter, teaching artist and a founding member of Asian Story Theater -formerly Chinese Story Theater. She was a founding member and past president on San Diego’s first Asian American Theater company–Pacific Asian Actors’ Ensemble, and also the Magic Machine. She is proud of the decades of multi-ethnic theater she has been a part of and able to help produce, celebrating Asian American art and culture, and bringing new faces, voices, and stories to the community. She has been a teaching artist with Young Audiences/Arts for Learning, Institute for Arts Education, and currently is on the teaching artist staff for Guitars in the Classroom, and the Education Director for Asian Story Theater.

KL (Kent) BRISBY
Kent is a writer and producer with a broad background in adapting diverse narrative and performing arts traditions from around the world into new works, often featuring music. Upcoming projects include a new musical set during the Mexican Revolution, REVOLUCIÓN, as well as the upcoming BIG MONEY. He recently wrote and produced THE LAST CENSUS for Asian Story Theater, and other past projects include RED, WHITE & BLACKLISTED and THE MUSICAL PAUL GAUGUIN, as well as leading development on STORIES OF THE SUN CAFE, HALO HALO, and the anthology series THE COFFEE PLAYS. Originally from Nebraska, Kent grew up on various Micronesian Island groups, with some time in Hawaii, before returning to the states. He graduated from Whitman College in the Pacific Northwest before settling in San Diego as a performer and director with the San Diego Street Theater.

Kalí Kamaria is a visual artist with a broad background in theater and dance. Stage performances began with Teatro Máscara Mágica, and favorite roles include FA MU LAN and KAHUA with Asian Story Theater, performing in San Diego and San Francisco. She has trained 6 years in Balinese dance and 12 years with Heali’i’s Polynesian Revue.